'Vengeance of an Assassin' is impossible to take seriously but if you grew up on the low-budget 80s action movies of Cannon Films and similar studios, it is possible to enjoy.
Overly ambitious in presenting too many perspectives, the film lacks a clear direction for both the characters and the audience, wasting a promising opening and convincing performances.
"The Cured" is a dark and depressing zombie film about guilt and politics, presented in rather obvious metaphors that are hyper-relevant in the current times of divisive ideologies.
Stunning visuals, astounding scores, and flawless performances can’t compensate for an overly ambitious film trying to mix a love story with terrorism and oceanography.
Boasting a mix of frenzied thrills and social commentary, 'Train to Busan' is very much alive on arrival.
Boasting a star-studded cast, a dark and intriguing plot, and a director-actor brother duo, "Gringo" starts off with a promising set-up only to lose its steam as the film progresses, leaving a bad aftertaste.
A bizarre, complex, and provocative alien film that is more visually stunning than gory and violent as others before it, "Annihilation" explores deeper and darker themes than just our natural responses to otherness.
Even die-hard fans of Sadako and Kayako should give this a miss and preserve the best memories of these two ghost queens as they were last seen at their best in their respective film franchises.
'The Purge: Election Year' takes stabs at political satire and showcases Frank Grillo in fine action hero form yet again, but it’s too cheap and mind-numbing to be anything more than a middling action-horror exercise.
Between the confusing, over-plotted narrative, the stilted performances and the dull visuals, we can’t find much of a reason for the fifth Underworld movie to exist.
For long-time fans of the franchise, this might be a dream come true, but it will be challenging for newbies to make head or tail of the overstuffed story, or differentiate a number of the characters.
It’s ungainly at times, but an extremely fun cast make The Magnificent Seven ’16 a decently entertaining diversion, even if it won’t be viewed as a classic.

Exit (엑시트) (2019) – Review

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47 Meters Down: Uncaged (2019) – Review

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