The Adventurers (侠盗联盟) (2017) – Review
Director : Stephen Fung
Cast : Andy Lau, Shu Qi, Zhang Jingchu, Tony Yang, Jean Reno, Eric Tsang, Sha Yi
Genre : Action/Thriller
Run Time : 1h 47m
Opens : 31 August 2017
Rating : PG (Some Violence)
The Adventurers has charismatic leads, gorgeous European locations and strong production values, but its ho-hum caper plot and lack of distinctive action sequences keep it from being Grade A escapism.
After making inroads into Hollywood as an executive producer and director on the TV series Into the Badlands, Stephen Fung is keeping things international with The Adventurers. The caper centres on an elite team of professional thieves, comprising mastermind Zhang (Lau), hacker Xiaobao (Yang) and slinky recruit Ye Hong (Shu). Zhang has just been released from prison, and because his earlier attempt to steal the priceless three-part Gaia necklace was foiled, hatches a new plan to procure the artefact for King Kong (Tsang), Zhang’s mentor. French detective Pierre Bissette (Reno) has been hot on Zhang’s trail, and is watching his every move following Zhang’s release from jail. Pierre convinces Zhang’s former fiancée, art restoration expert Amber (Zhang), to help him track Zhang down. The team’s mission takes them from Cannes, France to Prague, the Czech Republic, where they must foil state-of-the-art security measures to steal the components of the necklace.
The Adventurers is a loose remake of John Woo’s 1991 film Once a Thief. Chow Yun Fat, Leslie Cheung and Cherie Chung played the trio of thieves in that film, with Lau, Yang and Shu stepping into their shoes here. The Adventurers promises glitz, glamour and pulse-pounding action, but only delivers partway. Taking additional inspiration from the Ocean’s Eleven and Mission: Impossible franchises, The Adventurers showcases high-tech gadgetry and scenic locations, but fails to generate sufficient suspense, amounting to a generic “go get the MacGuffin” plot. Action sequences like a car chase down the French Riviera and an All-Terrain Vehicle pursuit through a Czech forest are competently staged, but The Adventurers lacks the daring “Houdini escapes” which have become a trademark of the Mission: Impossible movies. There just isn’t enough here to put audiences on the edge of their seats.
The film is slick and polished, with Fung’s international crew contributing to the fine production values. Cinematographer Shane Hurlbut, best known as the guy Christian Bale was yelling at on the set of Terminator: Salvation, captures the European locations in their sweeping, luxe glory. The computer-generated effects are a cut above those often seen in Chinese blockbusters – the spider drones deployed during the climactic sequence are especially impressive. The tone is largely frothy and comedic, and there’s an odd product placement for a novel device called the GoGirl (Google it). While Fung refrains from full-on slapstick, the relaxed vibe hampers the tension from reaching a fever pitch.
The film is well cast, with each of its leads playing to type. Lau, who has played the international man of mystery often in his later career, is convincing as a suave Danny Ocean-type who always has a trick up his sleeve. Shu, who is married to director Fung, tries to affect the ‘tough chick’ shtick ala Michelle Rodriguez and looks to be having fun doing it. Yang is the least remarkable of the trio, and the sexual tension between Xiaobao and Ye Hong is a tired device, but is good for a few laughs. Each character speaks at least a few lines of English dialogue, and the results are mixed. Zhang Jingchu, who was in an actual Mission: Impossible movie, fares best, but her character’s art history knowledge is rarely called upon over the course of the story.
Reno appears to largely be phoning it in, and sticks out a fair bit. There are several scenes in which two French characters are alone looking at security footage or staring agape at an empty vault, but they’re speaking in English. Eric Tsang pops up as a standard-issue Eric Tsang character. Sha Yi nearly steals the show as a wealthy mark who lives in a Czech castle, and on whom Ye Hong works her charms.
As a production of Flagship Pictures, Warner Bros.’ joint venture with China Media Capital, the intention is for The Adventurers to be a blockbuster that can travel. While it’s slickly produced and is bereft of the cringe-inducing excess that often plagues big-budget Chinese movies, The Adventurers stops short of being explosive entertainment, and is a trifle rather than a blast.
Summary: The Adventurers has charismatic leads, gorgeous European locations and strong production values, but its ho-hum caper plot and lack of distinctive action sequences keep it from being Grade A escapism.
RATING: 3 out of 5 Stars